Solaire is a 32-story residential and townhouse tower building located in the heart of the Transbay neighborhood in San Francisco, California. The shot bellow was taken from the roof the Charles Schwab building directly north from Solaire.
The brand new USD Torero Store opened on July 13, 2015. Digital walls and screens, interactive retail technology and an improved textbook system are new features of the 6,665-square-foot new campus store at the University of San Diego.
“We’ve created an exciting and futuristic space that will provide enhanced convenience, shopping options and services for our students, staff, alumni and visitors,” said Andre Mallie, Assistant Vice President for Auxiliary Services.
New technology components include; a 3-D printer, an AnaJet custom T-shirt printer, mobile check-out including Apple Pay, and a Virtual Mirror – the first on a college campus!
College View School, a public school in the Glendale Unified School District, was opened in 1977 to provide special education services to students in Glendale, Burbank, and La Cañada including specialized instruction in functional academics, life skills, communication, socialization, and motor skills. Their 8 classrooms serve students ranging in age from 3 to 22 with moderate to severe cognitive and physical disabilities. College View’s total number of students ranges between 70 and 96 students.
The hall is 140,900 gross square feet and originally opened in 1968. The building went $53,292,000 makeover. The revamped residence hall is designed to impact community and academic support, in addition to providing a comfortable place to call home.
The brand new Humanities Building, centrally located on the San Marcos campus is a 90,000-square-foot, three-story building housing the following disciplines: English/Humanities, English as a Second Language, Reading, Speech/Forensics/American Sign Language, World Languages and Journalism.
The Island Company has launched Catalina Island’s first-ever destination resort spa. Reflecting Catalina Island’s rich history and relaxed seaside vibe, Island Spa Catalina offers a variety of thoughtfully selected treatments and rejuvenating therapies with intrinsic island botanicals. Located inside the historical El Encanto building, the Spa features 15,000 square feet of indoor bliss and includes a variety of outdoor experiential spaces including luxurious lounges, a soaking pool and the vista deck. The Spa features nine treatment rooms, dry saunas, wet steam rooms, a nail studio, blow dry bar, the Spa Shoppe, Encanto Café and quiet spaces thoughtfully designed to be suitable for all seasons.
As often is the case, there isn’t a more widely discussed topic between photographers than about history’s most famous photographers. Artists tend to shy away from “best” comparisons but acknowledgement and appreciation for the giants in the industry is both entertaining and inspiring. When I think of the world’s most influential famous photographers I gravitate toward two remarkable figures from the past: Ansel Adams and Julius Shulman. In both I find a wealth of talent and vision and have throughout my career drawn on the techniques of both men in honing my skills and ascending to my current level of expertise. Ansel Adams
There isn’t a more preeminent figure among famous photographers in the history of the field than Ansel Adams. From dedicated professional photographers to casual photography aficionados to ordinary people, just about everyone has seen and admired the astounding portfolio of this world-renowned artist. Adams has achieved iconic status based on his signature black and white landscapes that seem to uniquely capture the environment in ways most other professional photographers struggle to duplicate. Ansel Adams often dominates the conversation of famous photographers due to his ability to affect the contemporary medium decades after his death in 1984.
While most people associate Adams with black and white landscape shots, Adams did work with both color prints as well as portraits and architecture. His affinity with black and white images was by design rather than a factor of the era of his most prolific work. Color, to Ansel Adams, could serve as a distraction from the meaning of the shot. To him, limiting the prints to black and white meant that he was free to use large format cameras to produce high resolution images with grandeur and sharpness that color often made more elusive to portray.
Shulman was an accomplished architectural photographer from whom I obviously draw a great deal of inspiration. Not only am I drawn to his style and favorite choice of subjects, his California roots allow me to occasionally imagine how he viewed the very same landscape and sky patterns that I capture in my own photos today while pondering how he’d interpret the scene for the best shot possible.
One particular way I aim to emulate the genius of Julius Schulman and honor him among the most famous photographers in history is in the way he appreciated and put to great use the natural landscape surrounding his architectural targets. You can quickly tell from my work that I value the opportunity to frame each structure with the ambient terrain and sky. The photographs I’m most proud of are those that accentuate the architecture by utilizing the natural light and surrounding features to give each image a character all its own. A point of great concern for me, and an emphasis that Julius Schulman paid particular attention to, are the ways in which an architectural work of art fits within the landscape it’s built. Capturing this relationship is important to telling the full story of the subject and gives depth to the scene that would otherwise be left untold and unexamined by focusing too heavily on the steel and stone of the buildings alone.
What is ISO? One of the most frequent questions I get about taking quality photographs revolves around ISO. Experienced photographers know all about ISO and its importance in capturing high quality shots while newer shooters might not understand just how important this factor is in producing the best photos possible. To explain what is ISO and why it’s so important it’s best to first fully understand its definition and how it relates to your camera’s ability.
A lot of photographers assume "ISO" is an acronym, and various online resources may even tell you that it stands for "International Standards Organization." But the truth is that it isn't an acronym and there is no organization by that name!
It’s a setting on your DSLR camera that regulates shutter speed and affects the quality of your images in ways we’ll discuss in just a moment. Your camera’s ISO setting is adjustable and can be switched from a base ISO to a higher range depending on your preference for a given shot. Adjusting the ISO setting will determine how the image sensor within your camera performs. Understanding how to choose an ISO setting will be critical to taking the best photographs.
First, your camera’s image sensor is the most important feature of all. Image sensors are what determines the quality of the photographs you are able to take using your camera. The best way to evaluate a camera’s capability heavily surrounds the quality and capability of its image sensor. Keep in mind, the camera’s image sensor has one job: to capture the light necessary to produce the clearest image possible. Less capable image sensors will struggle to produce clean, crisp photographs while better image sensors will excel at producing high quality shots especially in low-light conditions. The critical trait of an image sensor is time. The amount of time necessary to gather enough light to produce a quality image is what separates an average image sensor from an extraordinary one. Similarly, setting your ISO properly can make the difference between getting the perfect shot or one that is awash with noise and motion blur.
Choosing an ISO Setting
ISO settings range from low (100-200) to quite high (1600 and above) and as you increase the ISO setting you increase the image sensor’s sensitivity to light.
So, which ISO setting is best for you?
The answer depends on a few conditions. Lower ISO settings reduce your ability to capture sharp images of moving objects or targets in low light without the use of a tripod. The reason is the sensor is less sensitive to the light available and therefore has to keep the shutter open for a relatively longer period of time in order to gather more light. The result can be a blurred image if the photographer or the subject of the shot moves. A higher ISO setting will allow for taking photos of moving objects but the quicker shutter speed doesn’t allow the sensor the advantage of gathering enough light for a decent photo. Of course, the quality of the image sensor in your camera will determine how much of a trade-off you will make in choosing among your ISO settings. Better image sensors will be able to both capture the necessary light for crisp low-light images while reducing motion blur if you or the subject are in motion.
Image Noise and ISO
Another crucial concern for setting your ISO to the optimal setting is image noise. Noise is a characteristic of an image that makes the photo appear grainy. That grainy look is due to the increased sensitivity to light of a higher ISO setting. The concern for image noise means that you cannot simply set your ISO to the highest setting and hope to capture the best photographs possible. The challenge is to use a DSLR with a quality image sensor and take photographs using an ISO setting that both captures enough light to produce a worthy image and reduces or eliminates the grainy or noisy result you hope to avoid. You can usually rest with choosing the base ISO for your camera. This setting will produce rich colors and sharp images in most controlled conditions. When shooting a subject that is fast-moving or in low light without the aid of flash, a higher ISO setting would help in producing a winning shot.
St. Charles Cancer Center is a new 6,000 square-foot facility located in Bend, Oregon. Designed from the ground up with patient, family, staff and community input, it’s focus is on taking a patient-centric approach to treatment with everything – from oncology and radiology to “patient navigation” support and evidence-based complementary therapies – housed under one roof.
The Vancouver Community Library is a library in Vancouver, Washington, in the United States. Part of the Fort Vancouver Regional Library District, the 83,000-square-foot library is the second largest in the Portland metropolitan area, second to the Central Library in Portland, Oregon.
On fortunate occasions I’m able to shoot a structure that is brand new. The benefits of photographing newly completed projects include a chance to capture the raw vision of the builders before employees and other occupants are able to settle in. This gives me a level of access that will likely never again be available. The East Valley Water District broke ground on their new headquarters facility in the late-summer of 2013. As of March 2014, the structure is all but completed and will complete an effort on the part of the water authority to consolidate the functions of the headquarters from three separate locations down to just one. The East Valley Water District Headquarters sits on a 22-acre plot amidst a comfortable valley at the foot of rolling mountains in Highland, California. The wide-open space gave designers the ability to choose an orientation and precise location to complement the structure and make for the most functional plan possible. Outside the facility rests pristine landscaping that incorporates pale stones and lush reddish-brown mulch in free-form plots, dotted with freshly planted shrubbery just beginning to sprout from the soil beneath. You can imagine the scenery in a few short months as the warm California sun grows the plant-life to add brilliant green accents to the structure and the landscape found just outside the doors of the headquarters.
The outside of the building signals a modern approach to the structure design, with cement support beams stretching vertically to support the long stretches of roof, giving way to auburn poles to hold the building’s skeleton firmly in place. Wood panels adorn the outer walls with breaks for windows framed in brown beams that compete the earth-tone rich outer color scheme.
A step inside the headquarters continues the modern and aforementioned crisp feel of new construction. Already the office spaces are aglow with the ample lighting schemes throughout the building. Some cubicles sit toward the middle of the floor plan and offer those who will call the office spaces home a chance at a personal slice of the office to call their own. The brown hues that pop on the outer walls is carried inside to accent the cubicles, cabinetry, and doors.
The off-white wall painting softens the mood while the aluminum window frames separate the panes of glass with a professional yet modern appeal. Frosted glass is strategically set in some of the office window frames to allow for shared lighting while maintaining a modest amount of privacy for the soon-to-be convening water authority employees and guests. The light abstract flooring choices are just the right touch to off-set the bolder colors of the doors and cabinets around the office.
The overall look of the office promises to provide the staff with a spacious and functional space in which to conduct their various duties while offering purposefully artistic elements that give the headquarters a modern and inviting feel.